Sponsored by Beijing Intermediate Performance Theater, Silk Road International Theater Alliance, Guangzhou Municipal Committee of the Communist Party of China Propaganda Department, Guangzhou Culture, Radio, Film and Tourism Bureau, China International Culture Group, Guangzhou Grand Theater, Guangdong Stage Art Research Association, Performing Arts Technology Media, Beijing The "2020 Guangdong-Hong Kong-Macao Greater Bay Area Cultural Venues Construction Summit Forum" co-organized by China Performance Consulting Co., Ltd. and other institutions was successfully held in the Multifunctional Experimental Theater of the Guangzhou Grand Theater from November 28th to 29th.
Well-known experts in architectural design, stage craft design, cultural equipment R&D and production of domestic and foreign performing arts venues, and more than 200 representatives of cultural venues' design units, agent construction units, owners, and construction units participated in the forum.
On the morning of the 28th, a simple opening ceremony was held.
He Ying, general manager of Guangzhou Grand Theater Management Co., Ltd., delivered a speech on behalf of the organizer.
Xu Bin, former deputy inspector of the Guangzhou Municipal Bureau of Culture, Radio, Film and Television, announced the opening.
On the first day of the forum, Louis Jansen, Chairman of the World Theatre Organization (OISTAT), delivered an online "Theatre Design, People-oriented" speech, on-site translation by Zhang Yiyu, Vice Chairman of the World Theatre Organization, University of Applied Acoustics, Salford, UK Ph.D. Lin Kewei, Chief Architect Qiu Xiaoyong of China Architecture Southwest Research Institute Co., Ltd., Zhang Qi, Chief Architect of China Architectural Design and Research Institute Co., Ltd., Zhang Sanming, Associate Professor of the Department of Architecture of Zhejiang University, Yan Xiang, Associate Professor of the Building Physics Laboratory of the School of Architecture, Tsinghua University Wang Jichen, national first-class stage design (sound) design of the Opera Troupe of the Political Work Department of the Central Military Commission, Sun Dazhuang, design director of Shenzhen Hongtao Group Co., Ltd. Design Institute, Yu Suiyao, chief engineer of Guangzhou Construction Group Co., Ltd., and Shen Shen, deputy chief architect of Guangzhou Design Institute Weishun Zhao, Deputy Director of Stage Technology of Guangzhou Grand Theater, Honglei Sun, Chief Engineer of Intelligent Company of China Construction Eighth Bureau Second Construction Co., Ltd., Liu Hengke, General Manager of Foshan Lijiang Chair Industry Co., Ltd., Zhou Fengxin, Technical Director of Huahui Audio Beijing Company, Shanghai Zhongmei Yadian More than a dozen experts including Jiang Yang, Operation Director of Acoustic Equipment Co., Ltd., delivered wonderful keynote speeches or discussions.
For detailed reports, see:Science and Technology-"2020 Guangdong-Hong Kong-Macao Greater Bay Area Cultural Venues Construction Summit Forum" kicked off at Guangzhou Grand Theater
On the 29th, the forum was still hosted by Ms. Liu Jianzhen, Director of Stage Technology of Guangzhou Grand Theater and Deputy Director of Guangzhou Grand Theater Construction and Development Center.
Zhi Hao, deputy general manager and postdoctoral fellow of Beijing Jindong Hi-Tech Technology Co., Ltd., first shared the "stage machinery equipment and application". He introduced stage machinery technology requirements; axis controller and PLC control system, power transmission technology, special effect integration technology, rotary lifting technology and other stage machinery technology and applications; shared stage machinery technology practice thinking, pointed out equipment detection problems, technology and safety Problems in the use of the theater such as the basic conditions of the designer.
Yu Feng, the president of Jiangsu Times Performing Arts Equipment Co., Ltd., with the topic of "Theatre design, craftsmanship first"" On the leading role of stage craft design in theater (scenario) design for various related professions" Leading role in theater design; some key points and difficulties of stage craft design; through case studies, stage craft design is introduced. In theater construction, there are problems such as fire fighting, grille, backstage dressing room, costume room, prop room, etc. and solutions.
Afterwards, a panel discussion was held on the "requirements of lighting design for stage machinery". From the perspective of lighting design, Professor Xu Ming from the Lighting Design Department of the Department of Stage Art, Shanghai Theatre Academy proposed whether the theater boom can be set up in stages; whether it can be moved back and forth; it is recommended not to set up special lighting booms; Move as close to the side curtain as possible.
Senior lighting engineer Pan Yunhui believes that the theater construction is basically the same, with no special features; fake proscenium is very impractical for lighting users, lacking the lighting of the frame, lip, orchestra area, should be taken into consideration.
Bai Wenguo, director of the Lighting Design Teaching and Research Office of the Art Design Department of Beijing Dance Academy, suggested that the prosceniums and sides should be thinner, and try to leave a little space on both sides of the orchestra to facilitate the design of side lighting.
Zhihao, deputy general manager/postdoctoral fellow of Beijing Jindong Hi-Tech Technology Co., Ltd. believes that theater construction should have its own characteristics according to its functions, and try not to be large and comprehensive.
Yu Feng, the president of Jiangsu Times Performing Arts Equipment Co., Ltd., proposed that space can be reserved above the orchestra to increase the overhead lighting positions of the proscenium, set up electric hoist hanging points and light racks, and hoist lighting equipment; each hanging cage or hanging rail is also It can be controlled separately; it can also be considered to use fake channels to suit different performance requirements.
Zou Hui, deputy manager of the stage technology department of Shenzhen Grand Theater Operation Management Co., Ltd., shared equipment management and maintenance.
Associate Professor Luo Lin, majoring in lighting design from the Department of Stage Art, Shanghai Theatre Academy, gave a lecture on "theatre light position""the structural language of stage lighting design". He believes that the current problems in the lighting design of theaters are mainly focusing on lighting and light modeling, focusing on the architectural layout of lighting function lamp positions, and not focusing on the architectural layout of modeling function lamp positions; there are also too many surface lighting settings, inconsistent angles, and slap projection angles. Ideal, lack of orchestra top light, etc. He hopes that the layout design of the theater lamp position and the artistic principles of stage lighting design are unified.
Huang Rongfeng, general manager of Guangzhou Yajiang Optoelectronic Equipment Co., Ltd., introduced the development of lighting products with the topic of "Technology and Application of Color Lighting in Cultural Venues". He believed that there are independent control systems for theater stage lighting and public lighting. Lighting fixtures are controlled in the theater manager mode, efficient and intelligent management, centralized control management, intelligent, and safety systems are realized to create an immersive cultural venue.
Professor Bai Wenguo, Director of the Lighting Design Teaching and Research Section of the Art Design Department of Beijing Dance Academy, “Talking about the rational configuration of theater lighting equipment from a development perspective”. He shared the basic light of the theater, the comprehensiveness of the theater, the comprehensiveness of vision, the diversity of equipment, and the compatibility of equipment, and proposed whether to establish a domestic theater database platform to realize data sharing, with the help of lighting software and network platforms, Achieve control compatibility and offline programming, save limited synthesis time and improve the quality of art.
On the afternoon of the 29th, Li Wenzheng, product manager of Guangzhou Caiyi Lighting Co., Ltd., talked about "a brief discussion on the development and application of theater stage lighting". He explained that theaters (spots) have high quality requirements for lights, requiring high color saturation, bright colors, and controllable light spots; stable and reliable lights, minimal noise, and light quality that emphasizes the combination of soft light and hard light. Introduced a variety of FINE computer lights newly developed for fixed installation in theaters and stage performances.
Liu Jianzhen, director of stage technology of the Guangzhou Grand Theater and deputy director of the Guangzhou Grand Theater’s Theater Construction and Development Center, delivered a speech on "Light and Shadow Art Beyond the Stage". Through the analysis of multiple lighting show cases, it explained the abilities that the lighting designer must have and the restrictions on the implementation of the lighting design plan. It is hoped that the lighting design has a good aesthetic ability and dedicate beautiful cultural and tourism lighting visual works to people.
Feng Chaojun, general manager of Guangzhou Baiyi Precision Co., Ltd. gave a speech around "strict technical parameters and standardize bidding conditions". Through some specific circumstances, he explained that the false bids of lighting products of the same specification on the market are serious and difficult to distinguish; the national safety standards have not received due attention, and the expression of bidding requirements is too simple, non-standard, and non-standard. It is proposed that relevant industry standards should be formulated as a reference for bidding, and it is hoped that a third-party testing agency should be established to improve the acceptance mechanism of lighting equipment.
Li Yiran, deputy manager of lighting product promotion of Anhengli (International) Co., Ltd., shared the "ultimate performance of advanced network functions". She combined the real-life performance lighting network system and architectural lighting network system application cases to introduce the concept of MA Network, the equipment in the network system, network protocols, GDTF and MVR.
He Shoufeng, President of Guangzhou New Stage Lighting Equipment Co., Ltd. shared the "RGB new generation stage 5G dimming control technology". He believes that the core of the three parts of the stage lighting system is the dimming system. He elaborated on the development history of the dimming cabinet and explained that the dimming system is divided into six parts: dimming network center, network control signal, audience lights, power supply and distribution control, environmental monitoring, RDM protocol control; focusing on 5G network control Management system function and advanced nature.
Discussions were held on the "development of smart lamps and their applications in performances". Xu Ming, a professor of lighting at the Shanghai Theatre Academy, believes that in a strict sense, there is no smart lamp. Intelligence is first of all fully humanized. The smart lamp must be able to self-check, and whether the lamp can be modularized and intelligently cut.
Li Wenzheng of Guangzhou Caiyi Lighting Co., Ltd. believes that intelligence is to liberate manpower and improve the efficiency of lamps, including self-checking of lamps, intelligent chip implantation, and related data to form reports and upload them to the cloud. Caiyi has begun research and development in this area.
Huang Rongfeng, general manager of Guangzhou Yajiang Photoelectric Equipment Co., Ltd. believes that the Internet of Things technology and intelligent lighting are not a problem, but the key lies in how to serve the equipment management of the venue.
Feng Chaojun, general manager of Guangzhou Baiyi Precision Co., Ltd. believes that the gap between conventional lamps and foreign countries is mainly in the reflective bowl, mainly in materials. At present, our industry needs to calm down to research and develop, set standards, and promote the standardized development of the industry.
Associate Professor Luo Lin, majoring in lighting design in the Department of Stage Art, Shanghai Theatre Academy, pointed out that lamps must be silent, control the noise of lamps and fans, and pay attention to color issues.
Senior lighting engineer Pan Yunhui shared an imaging light suitable for film, stage, and laser light source lamps.
Afterwards, Zhong Guomiao, the senior engineer of Hangzhou Grand Theater's stage department, shared "The safety of stage management perception is a blessing". Ensuring the safety of performances is the primary task of the theater's safe production. It is the cornerstone of performance safety to ensure the stable operation of various professional equipment and equipment through the institutionalization of management, the immobilization of maintenance, the timely maintenance, and the transformation and rebirth. Only by ensuring the safety of stage equipment and facilities can the audience and cast members be guaranteed The safety of life and the smooth progress of the performance.
Associate Professor Liu Feng, Director of the Stage Technology Teaching and Research Office of the Stage Art Department of the Central Academy of Drama, delivered a speech on "The Responsibilities of Stage Technology Management in Repertoire Production" Combining performance examples, he explained how to do a good job in performance plan review, technical implementation, set production, rehearsal, stage installation, performance technical support, stage withdrawal, performance archives, set preservation management, establishment of data evaluation, and improvement of performance quality.
After that, the organizer awarded a plaque for the sponsoring company.
The two-day forum was successfully closed. Nearly 30 experts in venue design, construction, equipment supply, contractor, and user made reasonable planning and lighting design, stage technology design, and reasonable equipment configuration of cultural venues. , Performing arts venues technical management and other related issues conducted in-depth discussions, face-to-face communication, on-site questions and answers, the participants felt that the trip was worthwhile and benefited a lot. The forum reached its original intention and promoted the construction of useful and practical cultural venues.
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